The song's impact extends far beyond its initial release. "Roundabout" achieved significant commercial success, particularly in the United States, and has become a staple of classic rock radio. Its enduring popularity is also evident in its presence in popular culture, including its use in films, television, and internet memes. The song's complex musicality and memorable melodies have cemented its place as a landmark achievement in progressive rock, and it continues to be celebrated by music enthusiasts worldwide.

The track's impact extends beyond its studio recording, becoming a staple of Yes's live performances. Its energetic opening and the shifting musical landscapes within the song have consistently thrilled audiences. The song's influence can be heard in the work of subsequent musicians, with artists like John Frusciante of the Red Hot Chili Peppers citing Steve Howe's guitar solo as a direct inspiration. "Siberian Khatru" remains a testament to Yes's innovative spirit and their ability to craft music that is both technically impressive and emotionally resonant.

The track's unique sonic landscape is further enhanced by Chris Squire's distinctive bass lines, which provide a crucial foundation for the song's evolving textures. "To Be Over" represents a high point in Yes's creative output during that period, and it remains a beloved piece among fans of the band. It is also noted that this album and song was during Patrick Moraz's time with Yes. The song itself is a perfect example of the fusion of sounds that Yes created during that era.

The song's construction is a fascinating blend of individual contributions from band members. "Life Seeker" carries Jon Anderson's lyrical and vocal hallmarks, while "Disillusion" bears Chris Squire's bass-driven influence, and "Würm" features Steve Howe's exceptional guitar work. The "Würm" section especially, with its building intensity and Howe's memorable guitar solo, is often cited as a highlight of Yes's musical achievements. "Starship Trooper" remains a beloved and influential piece, celebrated for its innovative structure and enduring musical power.

The track "Machine Messiah" is notable for its extended length and its technical complexity, features that are hallmarks of Yes's work. The song highlights the guitar work of Steve Howe, which is particularly prominent in this era of Yes, as well as the strong rhythm section of Chris Squire and Alan White. The addition of Trevor Horn on vocals and Geoff Downes on keyboards brought a new, more modern sound to Yes, and "Machine Messiah" is a prime example of this transition. The song remains a favorite among many Yes fans, representing a unique and powerful chapter in the band's long and varied history.

The song's impact extends beyond its musical complexity. It's a testament to Yes's artistic ambition and their ability to create deeply immersive and emotionally resonant music. The track showcases the virtuosity of each band member, particularly Alan White's powerful drumming and Chris Squire's distinctive bass playing. "The Gates of Delirium" remains a highlight in Yes's discography and a revered piece within the progressive rock genre, celebrated for its daring composition and lasting emotional power.

The track is significant for its role within the "Drama" album, which marked a period of transition for Yes. With the departure of Jon Anderson and Rick Wakeman, Horn and Downes stepped in, bringing a different musical sensibility. "Into the Lens" showcases this shift, blending the band's characteristic complexity with elements of the newer, more streamlined approach that Horn and Downes introduced. The song, and the album as a whole, remain a point of discussion among Yes fans, highlighting the band's ability to evolve and experiment with its sound.

The album's impact extends beyond its musical complexity. It was a critical and commercial success, reaching high positions on both UK and US charts, and has since become a cornerstone of progressive rock history. The album production, and the bands performance, shows the level of dedication that the band had to their craft. The album also marks the last Yes album to feature drummer Bill Bruford before he departed to join King Crimson. "Close to the Edge" remains a timeless masterpiece, celebrated for its artistic vision and enduring influence on generations of musicians.

Beyond its musical complexity, "Yours Is No Disgrace" also carries significant lyrical weight. It's often interpreted as an anti-war song, reflecting the socio-political climate of the time. Jon Anderson's lyrics contrast the realities of war with scenes of carefree indulgence, creating a poignant commentary on human experience. The song's structure, with its shifting moods and instrumental passages, allows for a deep exploration of these themes, making it a powerful and enduring piece within Yes's extensive catalog. Its consistent presence in Yes's live performances underscores its importance to both the band and their devoted fanbase.